|  | 
              The Tolerance Project: A MFA 
              The Tolerance Project Archive homepage 
 The Tolerance Project Donors Sandra Alland
 Gary Barwin  Emily Beall  Joel Bettridge  Greg Betts               Christian Bök               Jules Boykoff               Di Brandt               Laynie Browne & Jacob Davidson  Kathy Caldwell               Angela Carr               Abigail Child               George Elliott Clarke               Stephen Collis               Jen Currin               Moyra Davey               Anonymous Donor               Thom Donovan               Sarah Dowling               Marcella Durand               Kate Eichhorn               Laura Elrick               Jennifer Firestone               Rob Fitterman               Jenna Freedman  Dina Georgis  Barbara Godard  Nada Gordon  Kate Greenstreet  Rob Halpern & Nonsite Collective  Lyn Hejinian  Susan Holbrook  Catherine Hunter  Jeff T. Johnson  Reena Katz  Bill Kennedy  Kevin	Killian  Rachel Levitsky  Dana Teen Lomax  Dorothy Trujillo Lusk Jill	Magi  Nicole	Markotic  Dawn Lundy	Martin  Steve	McCaffery  Erica	Meiners  Heather	Milne  K. Silem	Mohammad  Anna	Moschovakis  Erín	Moure  Akilah	Oliver  Jena	Osman  Bob	Perelman  Tim	Peterson  Vanessa	Place  Kristin	Prevallet Arlo	Quint  Rob	Read  Evelyn	Reilly  Lisa	Robertson  Kit	Robinson  Kim	Rosenfield  Paul	Russell  Trish	Salah  Jenny	Sampirisi  Heidi	Schaefer  Susan	Schultz  Jordan	Scott  Evie	Shockley  Jason	Simon  Cheryl	Sourkes  Juliana	Spahr  Christine	Stewart  John	Stout  Catriona	Strang  Chris	Stroffolino  Michelle	Taransky  Anne	Tardos  Sharon	Thesen  Lola Lemire	Tostevin  Aaron	Tucker  Nicolas	Veroli  Fred 	Wah  Betsy	Warland  Darren	Wershler  Rita	Wong  Rachel	Zolf  Office of Institutional Research  Communications & External Affairs |  | Juliana	Spahr  
 the Tradition
 1.I hold out my hand.
 I hand over
 and I pass on.
 I hold out my hand.
 I hold out my hand.
 I hand over
 and I pass on.
 Some call this mothering,
 this way I begin each day by holding out my hand and then all day long pass on.
 Some call this caretaking,
 this way all day and all night long, I hold out my hand and take engine oil additive into me and then I pass on this engine oil additive to this other thing that once was me, this not really me.
 This soothing obligation
 This love.
 This hand over
 and this pass on.
 This part of me and this not really me.
 This me and engine oil additive.
 This me and not really me and engine oil additive.
 Back and forth.
 All day long, like a lion I lie where I will with not really me
 and I bestow upon not really me
 refractive index testing oils and wood preservatives.
 I lie with not really me all day long,
 and so I bequeath not really me a honeyed wine of flame retardants and fire preventing agents.
 I make a milk like nectar,
 a honeyed nectar of capacitator dielectrics, dyes, and electrical insulation
 and I pass it on it every two hours to not really me.
 Not really me is a ram perched on a cliff above a stream,
 unable to be quenched by the flame retardant in furniture.
 Not really me comes near
 and takes a nectar of insulated pipes, and some industrial paints.
 Later I pass the breast cup to not really me,
 a breast cup filled with sound insulation panels and imitation wood with a little nectar and sweetness.
 And not really me drinks it and then complains a little,
 rebuking me for my cakes of nuts and raisons
 are cakes of extraction of crude petroleum and natural gas,
 for my apples are filled with televisions and windshield wiper blades.
 On my breast are the curls of not really me
 and against the brow of not really me wafts plasticizer used in heat transfer systems.
 As drinking not really me takes in anger and in need
 not really me drinks from the hand of that sweetest sleep the juice of me
 that cup of adhesives,
 that cup of fire retardants,
 of pesticide extenders.
 And as not really me drinks
 I cradle the moon and not really me in my right hand
 my lips kissing with the dedusting agents and wax extenders.
 Then later in the night,
 the bed scattered with the stains of cutting oils and gas-transmission turbines,
 the blankets with blends of hydraulic fluid,
 we lie there together
 handing over and passing on
 filled up and attempting to think our way through
 economics and labor and time and biology
 me and not really me
 together.
   2.  I’d like to think we had agreed upon this together,that we had a tradition,
 that we agreed these things explained us to us
 but when not really me wakes
 after drinking the pharmaceuticals and photo chemicals
 night after night
 and day after day
 not really me will sing a song of rebuke,
 sing the song of not really me, the song that
 goes like Salutations to brominated fire retardants of Koppers Ind.
 goes like Salutations to water/oil repellent paper coating of 3M
 goes like Salutations to wiper blades of Asahi
 goes like Salutations to bike chain lubricant of Clariant International
 goes like Salutations to wire and cable insulation of Daikin
 goes like Salutations to pharmaceutical packaging of DuPont
 goes like Salutations to nail polish of Dyneon
 goes like Salutations to engine oil additive of Agrevo E
 goes like Salutations to hair curling and straightening of Agsin Ptd. Ltd.
 goes like Salutations to insecticide and termiticide for empty greenhouses of Chevron Chemical
 goes like Salutations to greenhouse flowers of Monsanto
 goes like Salutations to insecticide to kill fire ants of Rigo Co.
 goes like Salutations to plasticizers of US Borax Inc.
 Not really me’s song will go on and on.
 Not really me will sing it all night long
 hour after hour for weeks on end.
 It will have eighty five company names in it.
 It will have twenty one chemical functions in it.
 It will have ninety seven products in it.
 It will have two hundred trade names in it.
 Not really me’s song will rotate through these names in all their combinations.
 And then it will end with another part that is as long as the first
 and inventories the chemicals that not really me does not yet know.
   3. Oh those of you who are not really me at allI say let wisdom be your anvil and knowledge your hammer.
 Hand this over.
 Pass this on.
 |  |